Against the Wind by Bob Seger
In early 1980, Bob Seger completed his trifecta of commercial smash hit albums with the release of Against the Wind. It was his eleventh overall studio album, the fourth to feature (in part) the Silver Bullet Band and the second to include some tracks recorded by the Muscle Shoals Ryhthm Section. While building on the tremendous success of his previous two releases, this record ultimately became Seger’s only number one album as it spent six weeks on top of the American album charts.
With a long and winding career that dated back to the early 1960s, Seger finally achieved his widespread commercial breakthrough the 1976 album Night Moves and this was followed up with the nearly-equally as successful 1978 album Stranger in Town. Seger also rose as a cross-over composer as he co-wrote the Eagles’ #1 hit song “Heartache Tonight” from their The Long Run and his song “We’ve Got Tonight” later became a worldwide hit for Kenny Rogers and Sheena Easton in 1983.
Co-produced by Seger with Punch Andrews and Bill Szymczyk, Against the Wind alternates between Seger’s reflective, mid-tempo acoustic ballads and upbeat, slick old-time rockers with simpler themes.
Against the wind by Bob Seger |
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Released: February 25, 1980 (Capitol) Produced by: Punch Andrews, Bill Szymczyk & Bob Seger Recorded: 1979 |
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Side One | Side Two |
The Horizontal Bop You’ll Accomp’ny Me Her Strut No Man’s Land Long Twin Silver Line |
Against the Wind Good for Me Betty Lou’s Gettin’ Out Tonight Fire Lake Shinin’ Brightly |
Primary Musicians | |
Bob Seger – Lead Vocals, Guitars Drew Abbott – Guitars Chris Campbell – Bass David Teegarden – Drums, Percussion |
“The Horizontal Bop” starts things off as a heavy blues rocker with an extended jam towards the end. This song was later released as the fourth single from the album, but failed to reach the Top 40. In great contrast to the opener in both style and success, “You’ll Accomp’ny Me” is a fine acoustic ballad with dynamic vocals by Seger, which reached the Top 20 on the Billboard Hot 100. The cool, riff-driven hard rocker “Her Strut” is the real highlight of Side One, with Seger’s treated lead vocals delivering catchy lyrics along with the potent bass by Chris Campbell and the indelible guitar riff Drew Abbott.
The Muscle Shoals Rhythm section comes in for the next two tracks, the pleasant acoustic folk “No Man’s Land” with a fine closing guitar lead by Pete Carr and the upbeat rocker “Long Twin Silver Line”, which features an interesting ascending verse melody. While the Silver Bullet Band returns to back the masterpiece title track, the song is musically highlighted by the piano of guest Paul Harris. This masterful composition with a dedicated coda features lyrics which compare Seger’s high school days as a long distance runner with the rat race and duplicity of the music industry.
For the rest of Side Two, the album thins out a bit in quality with a pleasant country waltz of “Good for Me”, the old time rock-n-roll of “Betty Lou’s Gettin’ Out Tonight” and the Eagles-like country folk of “Shinin’ Brightly”, which finishes the album with an upbeat, positive message and prominently features saxophone by Alto Reed. The best of these lot is “Fire Lake”, a song originally written for Seger’s 1975 album Beautiful Loser and featuring Glen Frey and Don Henley from the Eagles on backing vocals. Released as the lead single from the album, “Fire Lake” was a Top 5 hit in both the US and Canada.
Against the Wind reached 5x Platinum in sales and won a Grammy Award for Best Rock Performance by a Duo or Group with Vocal. This high-water commercial mark was something Seger later admitted as his goal for this album as he was “gunning for nothing less than a chart-topping hit when he entered the studio”.
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Part of Classic Rock Review’s celebration of 1980 albums.
Peggy Mower
June 11, 2023 @ 10:20 am
I enjoy just about anything by Bob Seger. I love the lyrics. One thing in particular that stands out is Paul Harris on the piano. I just took time today to see who was playing piano in “Against the Wind.” I loved the piano arrangement. It’s hard to describe the unique sound in this piece. Paul’s masterful command of the keyboard is akin to the sound of a rippiing brook cascading over the rocks, or a tide that ebbs and flows. He has perfect timing and knows precisely when to pause. I took piano lessons from a woman that always reminded me about the importance of paying attention to rests when reading sheet music. Her pointer came down on my hand more than once to remind me (just a gentle tap). The piano accompaniment in this song is soulful and hauntingly beautiful.